Hump Day Hot Ticket: Corners of Sanctuary “Hyde no More”

Band photo

Now that October is well under way, that means the Halloween season is in full swing; so I might as well share a video that will get us all in the spirit of the occasion. In the search for a video that invokes spooky imagery, I came across this week's pick from Philadelphia's own Corners of Sanctuary. Known more for brotherly love and for the fictional character of Rocky Balboa; Philadelphia doesn't exactly bring to mind anything “spooky” or “scary”; but it is known for a lot of kick-ass music, so it comes as no surprise to me that this band is continuing to live up to the city's reputation for producing top-quality musical talent.

While the band describes themselves as “the New Wave of American Heavy Metal”, Corners of Sanctuary sounds to me like an awesome blend of stoner rock fuzzy guitars, coupled with the high, over-the-top vocal stylings of power metal. Their video for the track “Hyde no More” is just perfect for your Halloween playlist: it's filmed like an old-time horror movie from the ’20 or ’30s, though I can't be exactly sure if these are actual clips from classic films or if this is the band taking creative license by paying homage to those types of movies in their own way. The band is rocking out in a forested area, while we watch the video's storyline of a mild-mannered scientist turning into a monster with a penchant for ravishing the ladies. This is a slow, heavy, groove-laden track sure to please fans of Black Sabbath, with enough high-potency vocal power that is reminiscent of bands such as Grim Reaper. It's got something for everyone, and it's certainly something to get you in the Halloween frame of mind!

For more information on Corners of Sanctuary, visit their official website.

Special thanks to Benjamin at Lords of PR.

Hump Day Hot Ticket: Grim Reaper “Walking in the Shadows”

Steve Grimmett's Grim Reaper

So today is not only Wednesday (meaning it's time for another Hump Day Hot Ticket), but today is also my birthday! Naturally, I would like to choose a very special band to commemorate my special day, so I am both pleased and honored to review this week the brand-new video from Grim Reaper, a band who has been going strong since the ’80s, and a band whose music I have enjoyed for a long time.

Some of you younger readers (“younger”, in this case, meaning anyone in their early ’30s or so) probably best know Grim Reaper (or have even heard of Grim Reaper at all) from being the punchline to many jokes on the early ’90s animated MTV show Beavis and Butt-Head, where the titular characters mercilessly teased the band for their ’80s fashion and seemingly outdated music videos. In spite of being self-proclaimed metalheads, clearly Beavis and Butt-Head were not savvy enough to recognize the band's talent; however, it is common knowledge that the show's creator, Mike Judge, is a huge Grim Reaper fan; thus, the reason they even got mentioned on the show in the first place.

When it comes to the recognition his band receives to this day from the show, Grim Reaper frontman Steve Grimmett has a great sense of humor about it; sharing clips from the classic show every now and then on his social media sites. No doubt he recognizes that those few minutes of parody was a far better promotional tool for the band than anything else, and people still continue to associate the show with the band. Anyone who cares to listen past the jokes and actually pay attention to the music can hear for themselves that Grim Reaper, despite proclamations to the contrary, does indeed kick ass. Steve's glass-shattering vocals is Grim Reaper's trademark; the one thing that instantly identifies the band to listeners, and over 30 years later, Steve's killer voice is still rocking us to Hell.

In fact, Grim Reaper is one of the many classic metal bands still making new music and still rocking as hard as ever. The band's new video for “Walking in the Shadows”—the title track of the band's latest album—is an anthemic, hard-rockin', feel-good song that makes you want to bang your head and turn the volume up as far as it can go. Vocally, Steve's still got the chops to rock your face off, and he does!

The video is pretty straightforward: the band jams in a dim, smoky room, along with some shots of Steve standing near a brick wall. There are also clips of a figure in a black, hooded cloak—perhaps an acolyte or warlock of some kind—perusing through a very old book, as glass potion bottles (one of them shaped like a skull) sit on a wooden table nearby, as he mixes up some sort of concoction. Of course, the band's namesake makes a brief appearance here too!

For more information on Grim Reaper, visit the band's official website. North American tour begins on October 6th in Las Vegas, NV. Walking in the Shadows now available in stores and online.

Special thanks to Steve Grimmett for allowing me to review this video. What an awesome birthday gift for me, to be able to feature a band I consider legendary, on my little blog!

Hump Day Hot Ticket: Diamond Lane “Slipping Away”

Photo courtesy of Karina Diane Concert Photography

When looking for music all over the world for this feature, it's nice to find some gems a little closer to home. This week I unearthed a diamond: Diamond Lane, to be exact; a metal band from my hometown of Los Angeles, who has played festivals such as Rocklahoma and Hempfest, as well as every club throughout the So. Cal. area. They have also had the distinct honor of being the only unsigned band to be named the “artist of the month” by Fox Sports, who also frequently uses the band's music in their programming.

Needless to say, Diamond Lane has got quite a lot going for them already. Musically, they remind me a little of Corrosion of Conformity, with a little bit of Black Label Society thrown in for good measure. Their gritty vocals, twin guitars, and seamless blend of no-nonsense rock coupled with fist-pumping anthemic catchiness also brings to mind another kick-ass L.A. metal band: Armored Saint.

The video for their song “Slipping Away” is even a little reminiscent of Armored Saint's “Last Train Home” video, in that there is a train in the background and the video appears to have been filmed in the more industrial areas of L.A. There isn't much to the video's concept; the band is shown rocking out, along with clips of the band walking alongside a moving train. But clearly this is more about how good the music is than whether or not the video is telling a cohesive story, and the music is so good that it really doesn't need further embellishments.

For more information on Diamond Lane, visit their official website.

Special thanks to Benjamin at Lords of PR.

Hump Day Hot Ticket: Denner/Shermann “Son of Satan”

Band photo

Technically, Denner/Shermann would be considered a “supergroup”, but when you look at the impressive résumés of the bandmembers, you realize that “supergroup” is too small a term, and far too limiting in describing this heavy metal powerhouse. Comprised of original Mercyful Fate guitarists Hank Shermann and Michael Denner (giving the band its name), Cage vocalist Sean Peck, the incomparable Snowy Shaw on drums, and thrash-metal bassist Marc Grabowski; Denner/Shermann is a balls-out, take-no-prisoners, good old-fashioned heavy metal band. 

In the vein of classic bands like Mercyful Fate, Iron Maiden, and Judas Priest; Denner/Shermann is bringing back all of the elements that heavy metal has missed in its attempt to redefine itself over the decades: the over-the-top screaming vocals (not guttural, not screeching, but that unmistakable style that is a cross between operatic vocalization and bluesy howling), a thunderous rhythm section, and blistering guitar solos that scorch your ears and burns itself into your soul. When you listen to a band like Denner/Shermann, you are reminded that heavy metal is still alive and well, and if you start to forget it, they will come back at you with something so heavy it will kick your balls through your teeth.

They're also not a band afraid to play up the lyrical content and imagery that made heavy metal the stuff of every mother's nightmare back in the ’80s: the dark, sinister, borderline-Satanic imagery that has become a cornerstone of metal to the point where it almost has become a parody of itself. Whether they do this in a tongue-in-cheek way or if they are being totally serious, I really don't know, but the material is so good that I honestly don't care. With big, scary-looking demons gracing their album covers, and albums with names like Satan's Tomb and Masters of Evil, it's clear that Denner/Shermann knows their audience and is all about bringing back that wicked sensibility that gave heavy metal its edge back in the day.

Their video for the song “Son of Satan” embodies all of this so perfectly: the backdrop is of a gothic-looking castle or church, where everything is in blacks or greys, and a bell tolls an ominous warning as a choir chants in Latin. The band plays amid the decaying background, while the camera cuts to a pregnant woman being accompanied by a group of black-cloaked, hooded acolytes; clearly indicating that she is to bear the song's namesake. Eventually she is placed upon an altar of some kind, so she can give birth to the Antichrist. Clearly the backdrop of the church/castle is done with CGI effects, because Sean's vocals are so piercingly high that you expect the windows to shatter when he hits those notes, and Snowy is pounding those drums so hard that by all accounts, pieces of rubble would be crashing to the ground! Eventually, some doors burst open with some fire blazing in the background, and a shadowy figure appears, suggesting that the baby's father has arrived to meet his new offspring.

To check out more music from Denner/Shermann, visit their official website.

Special thanks to Benjamin at Lords of PR.

Hump Day Hot Ticket: Meka Nism “Mouth of God”

Band logo

Over the last few weeks, my musical travels have mostly taken me across Europe, so now I am flying a little closer to home once again with a band from the good ol' U.S. of A. Describing themselves as “epic shaman rock”, Orlando, Florida's Meka Nism combines the sounds of nu-metal, progressive rock, with a touch of symphonic flair and art rock showmanship. Fronted by “vocal artist and shaman” Ms. Meka takes the shaman moniker very seriously: her onstage look resembles a tribal shaman, with makeup on her face in harsh, bold lines; her outfit resembling something out of a Mad Max movie, and holding a shamanic wand in one hand, and a microphone in the other. It's a very cool look that complements the powerful musical sound quite well.

Musically, the song “Mouth of God” is about the Kamikuchi—Japanese shaman women through whom the spirits spoke—in other words, acting as a “mouth of God”. From the tribal chanting at the beginning of the song, you get the message very quickly. The video shows the band in a live setting, but you can also see the sort of power that Ms. Meka holds as a frontwoman and how she is able to captivate the audience, which probably makes this quite the fitting song to introduce new listeners to the band, what they're all about, and what you can expect to see from them at a live show. I like their sound a lot; it's quite different from some of the other stuff I have heard on the American femme-metal scene over the last few years. I can't exactly categorize them as one of those bands looking to take the scene back to more traditional heavy metal sounds, and they certainly do not classify as one of the bands looking to expand the symphonic metal scene into American territory. They do have somewhat of a nu-metal or alternative sound, but I feel those labels are so run-of-the-mill and not even close to describing their sound. I guess you will just have to watch the video and decide for yourself. Besides, good music is good music—does it really matter whether you can slap a label on it or not?

For more information on Meka Nism, visit their official website.

Special thanks to Jennifer K. Barry.

Hump Day Hot Ticket: Sorronia “Forsaken Tale”

Photo courtesy of Kovács Miska at G&M Pictures

If you have been following this blog or this weekly feature on a regular basis, then you probably recall that I have reviewed the Hungarian symphonic metal band Sorronia before, just a couple months back. Since there is no written rule anywhere that I can't review the same band twice (and since this is my blog and I make the rules here, I know I certainly never wrote such a rule), and because the band since has new music to share since my last entry about them, I am going to give them another write-up. Also, for the most obvious reason: I think they are a great band and anytime I can draw further attention to a band I like, I'm going to do it.

For the band's upcoming album, Forsaken Tale, due for release sometime in October, Sorronia has released the title track as its first single, with a very cool lyric video to accompany this majestic track. To a backdrop of a running stream, along with imagery of a crumbling building and a blindfolded statue holding a clock. Lyrically, this song is about the passing of time, and how we take for granted that we have all the time in the world to do the things we want; yet time has passed before we know it, and while we're busy sitting around making grand plans, the world still goes on. This sentiment is especially echoed in the lyric, “while you forgot to live, the stream reached the sea”. In other words, no matter what we do, time goes on with or without us, so we had better make the most of it. Some pretty insightful stuff.

Musically, this is sure to appeal to fans of bands like Nightwish, Within Temptation, Kamelot, or Serenity (in fact, the cover artwork of Forsaken Tale looks very Serenity-like). This song is already leaps and bounds ahead of their debut album, which was almost 3 years ago. If this is any indicator to what the rest of the album will be like, then it's sure to be great!

For more information on Sorronia, visit their official website.

Hump Day Hot Ticket: Geezër “Feelin' Freakie”

Photo by Kevin Roberts

It is often assumed that when it comes to music, there is a generation gap—meaning, most of the time it is expected that people below (or above) a certain age will not enjoy anything offered from those who cross over the other side of the figurative age line. Young kids joke about their parents' “dinosaur bands”, and adults make snide remarks that today's youth has no clue what “real music” is anymore.

However, when you're a band like Geezër—who are so old that they broke the age limit—you become a phenomenon for all ages. Don't believe me? Just recently, the band held their first-ever “Geezër-Con”, where you saw everyone from small children to cougars on the prowl, all lined up to rock out with the octogenarians who know a thing or two about being hip, because they've broken more than their fair share of them. Kids love ’em, adults love ’em, and even hipsters love ’em—which is saying a lot, considering hipsters are not supposed to really like anything. Then again, Geezër are the original hipsters, who liked everything before it was cool, if only because they were actually around when all those cool things were being invented.

Which brings me to the band's video for the song “Feelin' Freakie”, from their new album Vol. II. The band's knack for predicting public reaction to things is almost uncanny, because sure enough, they knew you wouldn't believe it when you heard about the goings-on at Geezër-Con. So what do they do? They make a video featuring photographic evidence of all the debauchery that went down. Sure enough, you also see photos of Geezër fans with their brand-new Geezër CDs...everyone from little kids, middle-aged guys, sophisticated older women, and—you guessed it—hipsters.

It just goes to show, great music is timeless, and great musicians don't have an expiration date. If they did, Geezër would have stopped rocking a long time ago. Lucky for us they show no signs of slowing down...as long as they drink their prune juice and don't forget to take their vitamin supplements.

For more information on Geezër, visit their Facebook page.

Special thanks to Bill Selby and Christopher Long.